Art Installation | Pictura Gallery | Groningen, The Netherlands
The Adequately Theorized Painting Installation in full consists of 225 black panels with phrases painted in white. The space is illuminated by an intense, single tungsten light bulb. In the space, the viewer takes in the bric-a-brac collage of the rectangle-ish signs which, lacking square corners and straight edges, create rhythm through alternating size, slight angles and the contrast of white on black on white. The subjects of the text vary touching on philosophy, art, reflection and social commentary.
The installation plays with the idea of debunked universal meaning through the to-and-fro of contradictory texts, e.g. “This painting demonstrates my reluctance to conform” vs. “This painting demonstrates my inability to resist.” The text visuals, relating to hand-painted for sale signs and other rural visual communication are open and without pretension, encouraging the viewer to question, add to, accept or reject. The cacophony of panels is what Jan van Toorn would call “emancipatory,” encouraging exchange and enabling the viewer as opposed to closing down the option of dialogue.
Philosophically, the work imagines a world outside of closed authoritative metaphysics and posits an idea that a “philosophy” could be created through the expression of diverse, and divergent thought made visible. A grounding principle, as in well-grounded, that perhaps progress comes through dialog and an (eventual) level of agreement.